By Jahrell Teodoro
David Gauntlett—who musically goes by Sculpture Projects—takes listeners to a brave yet emotional world in his four-track extended play (EP) Everybody should be able to be whoever they want to be. Through the use of the four tracks featured, Gauntlett creates an anthem for universal and personal self-acceptance. Each song invites listeners to think, to move, and—above all—to embrace the unrestricted freedom to exist simply.
Gauntlett is the Canada Research Chair in Creativity at The Creative School at Toronto Metropolitan University (TMU). With a long history of researching the intersections of creativity, media and identity, Gauntlett is known for his books such as Making is Connecting and Creative Explorations. Gauntlett’s research emphasizes creativity as a way to understand and develop human identities with a focus on self-expression and individual autonomy. With this, his musical practices seem to be all but inevitable.
Individuality and the process of “making” as a means of developing one’s identity have been frequently emphasized in Gauntlett’s academic works. These concepts seem to be a continuation of his previously released singles like “Everything or Nothing” and “Proximity Effect.” Each song reflects his ideas of autonomy and free will. Although Sculpture Projects breaks away from his typical academic style, where he ditches his traditional written pieces, to a passion project of musical anthems, this EP incorporates his conceptual themes to provide listeners with a soundscape that is both innovative and intellectual.
With fast beats that listeners can feel in their chest, the EP kicks off with “Isolated/universe,” a track that feels like floating in space while tethered to a beating heart.
While the song plays, a large and intensely meditative ambiance is produced by layers of hazy synths, quiet bass and eerie vocals. Like trying to find a place among a crowd of stars, there is a tug-of-war between connection and isolation. It feels like complete silence with an aching urge to be heard. Its eerie and hopeful yet painfully relatable energy is a terrific way to open the album.
In the second track, “Everything or nothing (7” mix),” Gauntlett raises the ante. The core of the song leads the listener to question if they should go all in or walk away. Its raw intensity is amplified by a rolling beat and anticipating instruments. The use of various synthesizers creates an atmospheric sound accompanied by the use of a bass, drum machine and guitar that glues the whole song together in a stunning way. It’s as though Gauntlett’s singing is a reminder that devotion and always being on the edge are key to becoming something big. This creates a massive flood of adrenaline, making the listener feel alive. The song challenges listeners to be bold in expressing who they are in an electrifying rush.
“Everybody” feels different compared to the rest of the EP. The third track opens with soft beats that feel ethereal or dream-like as if listeners are entering a mystical forest. Here, the EP’s title track takes centre stage with a bright, inclusive vibe that is infectious and filled with wonder. It’s as if Gauntlett channels the spirit of a group of people whose faces are scribbled out. They feel lost in their world, yet in some form or way, are all connected. “Everybody” embodies this feeling listeners didn’t know they needed, like a sense of awe that makes them feel like they can accomplish anything. It feels like celebrating every person’s right to be themselves without compromise. It’s impossible to ignore the oneness in its beat.
“Distant trees” concludes the thrilling EP on a contemplative, somewhat cinematic note. The music captures a sensation of time passing while also remaining grounded within the present, giving the impression that although time may be moving fast, the world is in the listener’s hands and the opportunities given to them are infinite. Incorporating electronic elements such as synthesizers, drum machines and the bass gives this album an experimental feel.
Hints of Gauntlett’s soft vocals give the song an earthy, almost philosophical feel. It begs questions like, “Is this who we are?” and “Is this what we can be?” allowing listeners to question their existence and what they can do to become the best version of themselves. “Distant trees” is the ideal, reassuring ending to a project that allows listeners to take a step back, appreciate life around us and experience serenity. The song acts as a reminder that we shouldn’t pressure ourselves into being something we are not happy with. We should simply let things flow and let the universe determine where we’ll end up.
More than just the EP’s title, the belief that everyone should be allowed to be whoever they want to be is a call to embrace our uniqueness and let our hair down. Despite their sounds, each of the songs radiates the same spirit of acceptance, love and fearlessness. Through Sculpture Projects, Gauntlett has created something intriguing and captivating, making this EP a remarkable, wonderfully thoughtful trip through the many elements of identity and self-expression.
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